Capital Culture Under Attack
Curators REBECCA NEWELL and TOM HOCKENHULL tell the fascinating stories of how the capital’s cultural treasures were saved from the Blitz
In 1939, as conflict swept across Europe and the threat of war drew closer, London's galleries and museums prepared their priceless collections for evacuation - first to the safety of country estates and then to be buried underground in disused quarries.
The British Museum's TOM HOCKENULL describes the mass exodus of some of the museum’s vast collection from Bloomsbury, a process that was, because of its size and complexity, unparalleled in the scale and scope of its ambition.
The Imperial War museum’s REBECCA NEWELL describes how staff had to decide which of the 4,000 paintings, sculptures and drawings that had been amassed during and after the First World War, would be saved.
Images courtesy of The British Museum, IWM and ICCROM Archives
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TOM HOCKENULL joined the British Museum in 2007 and currently holds the post of Curator of Modern Money. He is editor of Symbols of Power: ten coins that changed the world (2015), written with curators from the Department of Coins and Medals.
REBECCA NEWELL is Head of Art at IWM, working across the five sites on all aspects related to the care, display and interpretation of the IWM preeminent twentieth and twenty-first century art collection. She has recently completed a large-scale commission with global artist and activist Ai Weiwei for IWM London and an exhibition of Blitz paintings with a focus on the experience of Londoners for Churchill War Rooms.
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